Free and accessible to everyone!

Summer Institute I: Trackings and Trappings will be an exploration into how hard-wired ideological structures influence how we chart our own trajectories through experience.

Through her visual art practice Natalie Purschwitz considers how materials connect with ideological production and quotidian experiences. Her research lies at the intersection of anthropology, mythology, materiality and form.

Justine A. Chambers is a dance artist who privileges what is felt over what is seen. Chambers’ interests are in re-imagining dance performance and activating the dances that are already there – the social choreographies present in the everyday.

Our Summer Institute is generously supported by the RBC Foundation and Johnston Group.Plug In ICA extends gratitude to our artists, generous donors, valued members and dedicated volunteers, with special thanks to our Director’s Circle.

Join us Monday July 15 at 5PM!
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Plug In Institute of Contemporary Art recognizes we are in the territories of the Anishinaabeg, Cree, Dakota, Dene, Métis, and Oji-Cree Nations. Plug In ICA is situated in Treaty 1 territory, the ancestral and traditional homeland of Anishinaabe peoples. Treaty 1 was signed in 1871, taking this territory from seven local Anishinaabe First Nations in order to make the land available for settler use and ownership (Referenced from the University of Winnipeg).